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LIFE CHOICES

2015/01/23

Jo Ann Endicott in Walzer by Pina Bausch, 1982

"Almost every dancer from the Tanztheater of Pina Bausch lives alone.
It takes you, it sucks all your time, it demands everything from you.
"It" is your life.
You give your life to "it".
And this "it" is everything.

Working with Pina has always been something very particular for me.
Meanwhile she has become one of the most important artists in the world.
I know how much she appreciates that I am here.
(...)
Does Pina even asks herself how I manage to do it all?
Jo arrives, Jo leaves.
Nobody asks themselves any questions.
My husband sees it.
The children feel it.
But in the end, only I know exactly how demanding it is, how hard it is."

Jo Ann Endicott
Ich bin eine anständige Frau [I am a Decent Woman]
1999

RUNWAY

2015/01/22

 photo credits: Viktor & Rolf

A clean, unapologetic read of the floating imagery of ballet. Clean concept, clean execution. Not easy, well done.

Designers: VIKTOR & ROLF
Collection: haute couture
Season: spring summer 2014
Models: dancers from the Het Nationale Ballet ['Dutch National Ballet']
Hair: Luigi Murenu
Music: Nils Frahm
Material: latex
 photo credits: Viktor & Rolf
 photo credits: Viktor & Rolf
  photo credits: Viktor & Rolf
  photo credits: Viktor & Rolf

See the show in motion here:

EYE

2015/01/21

cow's eye
cropped from a photo by ILRI

"Any homogeneous membrane which has holes in it will tend to rupture at the holes, unless the edges of the holes are reinforced by thickening.
The most familiar example of this principle at work is in the human face itself. Both eyes and mouth are surrounded by extra bone and flesh. It is this thickening, around the eyes and mouth, which gives them their character and helps to make them such important parts of human physionomy.
human eye
cropped from a photo by Dietmar Temps

A building also has its eyes and mouth: the windows and the doors. And following the principle which we observe in nature, almost every building has its windows and doors elaborated, made more special, by just the kind of thickening we see in eyes and mouths.
 
bull's-eye
photo by mirsasha

The fact that openings in naturally occurring membranes are invariably thickened can be easily explained by considering how the lines of force in the membrane must flow around the hole. The increasing density of lines of force around the perimeter of the hole requires that additional material be generated there to prevent tearing. (...) It is important to recognize that this stiffening is not only supporting the opening itself against collapse, but it is taking care of the stresses in the membrane which would normally be distributed in that part of the membrane which is removed.
 sketch from the book A Pattern Language
 
More general examples of frames as thickened edges exist all over the world.
They include
the thickening of the mud around the windows of a mud hut,
the use of stone edges to the opening in a brick wall because the stone is stronger,
the use of double studs around an opening in stud construction,
the extra stone around the windows in a Gothic church,
the extra weaving round the hole in any basket hut.
eyelet

(...) Do not consider door and window frames as separate rigid structures which are inserted into holes in walls. Think of them instead as thickenings of the very fabric of the wall itself, made to protect the wall against the concentrations of stress which develop around openings."

Christopher Alexander, Sara Ishikawa & Murray Silverstein
A Pattern Language
1977 

NO COSTUMES

2015/01/10

On November 19th, 2007, the Paris Opera Ballet (Ballet de l'Opéra de Paris) gave a performance of The Nutcracker with no costumes and no sets, due to a labor strike.
Dancers apparently resorted to wearing personal work clothes, and danced in front of a single backdrop that was already down.
What a treat it must have been, to be in the audience that night.
Note: this event is briefly described in the wikipedia biography of dancer Dorothée Gilbert, who was named étoile ['star'] that night.
Curtain call can be seen here.

YOUR BODY SIZE VS. INDUSTRY SIZES

2015/01/07

Here is a fantastic web app created by web developer Anna Powell-Smith.
What Size Am I? allows you to get a visual image of where your body measurements stand in regards to standardized body sizes used in the clothing industry. [note: wait a little for the app to load]

You simply need to move the top sliders to your own bust, waist, and hips measurements, which creates your personal curve.

Then you can select a mainstream brand on the right, and see how their measurement system relates to you ( in yellow the company you choose / in light grey in the background, all the other companies).
I love the easiness and clarity of this tool.

Body measurements are being so ill-treated and used in the media to define arbitrary ideals, that it's a relief to have a publicly available visualization tool that tells things just the way they are.

Also, you see that the industry does not have one standard, but so many different ones that the idea your body should fit certain criteria begins to crumble (and many fitting room crisis become explained).

I wish this tool was used more widely and that we could feed it with more brands - not only mainstream ones but also ethical / local clothing companies, and for both genders. The possibilities are so exciting.

For more information: Anna's own words here.

BUILDING BY DANCING

2015/01/01

 Diébédo Francis Kéré during his Ted Talk : How to Build with Clay...and Community

Burkinabe architect Diébédo Francis Kéré tells about how he went back to his native Burkina-Faso after studying architecture in Germany, to build the first school building there with the help of his village.

He described the rhythmic movements of the builders, men and women, who make the clay floors:

"The young men come, and stand like that [tap], beating; [tap], [tap].
Hours for hours.
And then their mothers came, and they beat in this position [tap], [tap], [tap].
For hours.
Giving water. Giving water, and beating.
And then the polishers came.
They start polishing it. With a stone.
For hours.
And then, you have this result.
Very fine, like a baby bottom.
It's no Photoshop.
This is the school built by the community."

Diébédo Francis Kéré
Ted Talk
2013